Katsushika Hokusai: Thousand Views of Ocean – Soshu Choshi

Katsushika Hokusai: Thousand Views of Ocean – Soshu Choshi 1833

Katsushika Hokusai (October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji 1831) which includes the internationally recognized print – The Great Wave off Kanagawa created in 1823.

Hokusai created the "Thirty-Six Views" both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fuji in Clear Weather, that secured Hokusai’s fame both in Japan and overseas.

As historian Richard Lane concludes, "Indeed, if there is one work that made Hokusai’s name, both in Japan and abroad, it must be this monumental print-series…". While Hokusai’s work prior to this series is certainly important, it was not until this series that he gained broad recognition.

  See all: Katsushika Hokusai Prints  |  See all: Asian Art

  Art Blog: Hokusai – The Great Wave

Canvas/Size: 18″x26″ ($85) ~or~ 22"x30" ($110). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



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Price: from $85.00

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Katsushika Hokusai: Kirifuri Waterfall at Kurokami Mountain

Katsushika Hokusai: Kirifuri Waterfall at Kurokami Mountain 1832

Katsushika Hokusai (October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji 1831) which includes the internationally recognized print – The Great Wave off Kanagawa created in 1823.

Hokusai created the "Thirty-Six Views" both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fuji in Clear Weather, that secured Hokusai’s fame both in Japan and overseas.

As historian Richard Lane concludes, "Indeed, if there is one work that made Hokusai’s name, both in Japan and abroad, it must be this monumental print-series…". While Hokusai’s work prior to this series is certainly important, it was not until this series that he gained broad recognition.

  See all: Katsushika Hokusai Prints  |  See all: Asian Art

  Art Blog: Hokusai – The Great Wave

Canvas/Size: 18″x26″ ($85) ~or~ 22"x30" ($110). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



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Price: from $85.00

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Pablo Picasso: Young Woman 1909

Pablo Picasso: Young Woman 1909

Pablo Picasso (October 25, 1881 – April 8, 1973), was a Spanish painter, sculptor, printmaker, ceramicist, and stage designer who spent most of his adult life in France.

One of the greatest and most influential artists of the 20th century, he is widely known for co-founding the Cubist movement along with Georges Braque, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore.

Among his most famous works are the proto-Cubist Les Demoiselles d’Avignon 1907, and Guernica 1937, a portrayal of the German bombing of Guernica during the Spanish Civil War.

Picasso demonstrated extraordinary artistic talent in his early years, painting in a realistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortune, making him one of the best-known figures in 20th-century art.
Canvas/Size: 18″x22″ ($68) ~or~ 22"x26" ($93). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



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Price: from $68.00

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Juan Gris: Nature Morte 1920

Juan Gris: Nature Morte 1920

Juan Gris (March 23, 1887 – May 11, 1927), was a Spanish painter and sculptor who lived and worked in France most of his life. His works, which are closely connected to the emergence of an innovative artistic genre Cubism, are among the movement’s most distinctive.

Born in Madrid, Gris studied mechanical drawing at the Escuela de Artes y Manufacturas in Madrid from 1902 to 1904, during which time he contributed drawings to local periodicals. From 1904 to 1905, he studied painting with the academic artist Jose Maria Carbonero. It was in 1905 that Jose Gonzalez adopted the more distinctive pseudonym Juan Gris.

In 1906 he moved to Paris and became friends with Henri Matisse, Georges Braque, Fernand Leger, then in 1915 he was painted by his friend, Amedeo Modigliani. In Paris, Gris followed the lead of another friend and fellow countryman, Pablo Picasso.

At first Gris painted in the style of Analytical Cubism, a term he himself later coined, but after 1913 he began his conversion to Synthetic Cubism, of which he became a steadfast interpreter, with extensive use of papier colle or, collage. Unlike Picasso and Braque, whose Cubist works were monochromatic, Gris painted with bright harmonious colors in daring, novel combinations in the manner of his friend Matisse. The top auction price for a Gris work was $20.8 million which was set by his 1915 still life titled, Livre, pipe et verresBook, Pipe and Glasses 1915, until another sale in November 2010, when Violon et guitareViolin and Guitar 1913 sold for $28.6 million.

  See all: Juan Gris Prints    

  In the Art Blog: Juan Gris: Exhibition

Canvas/Size: 16″x26″ ($75) ~or~ 20"x30" ($100). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



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Price: from $75.00

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Marcel Duchamp: Two Nudes

Marcel Duchamp: Two Nudes 1910

Marcel Duchamp (July 28, 1887 – October 2, 1968) was a French artist whose work is most often associated with the Dadaist and Surrealist movements.

He is considered by some to be one of the most important artists of the 20th century, and his output influenced the development of post-World War I Western art. He advised modern art collectors, such as Peggy Guggenheim and other prominent figures, thereby helping to shape the tastes of Western art during this period.

Duchamp challenged conventional thought about artistic processes and art marketing, not so much by writing, but through subversive actions.

He famously dubbed a urinal art and named it Fountain, though in a 1917 letter to his sister Duchamp indicates that a female friend, possibly the Baroness Elsa von Freytag-Loringhoven, conceived of the urinal as sculpture and sent it to him under the pseudonym Richard Mutt. Duchamp produced relatively few artworks, while moving quickly through the avant-garde circles of his time.
  See all: Marcel Duchamp Prints  

Canvas/Size: 18″x22″ ($68) ~or~ 22"x26" ($93). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



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Price: from $68.00

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Marcel Duchamp: The Passage from Virgin to Bride

Marcel Duchamp: The Passage from Virgin to Bride 1912

Marcel Duchamp (July 28, 1887 – October 2, 1968) was a French artist whose work is most often associated with the Dadaist and Surrealist movements.

He is considered by some to be one of the most important artists of the 20th century, and his output influenced the development of post-World War I Western art. He advised modern art collectors, such as Peggy Guggenheim and other prominent figures, thereby helping to shape the tastes of Western art during this period.

Duchamp challenged conventional thought about artistic processes and art marketing, not so much by writing, but through subversive actions.

He famously dubbed a urinal art and named it Fountain, though in a 1917 letter to his sister Duchamp indicates that a female friend, possibly the Baroness Elsa von Freytag-Loringhoven, conceived of the urinal as sculpture and sent it to him under the pseudonym Richard Mutt. Duchamp produced relatively few artworks, while moving quickly through the avant-garde circles of his time.
  See all: Marcel Duchamp Prints  

Canvas/Size: 18″x20″ ($65) ~or~ 22"x24" ($90). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



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Combination of product variants is not available

Price: from $65.00

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Marcel Duchamp: Network of Stoppages

Marcel Duchamp: Network of Stoppages 1914

Marcel Duchamp (July 28, 1887 – October 2, 1968) was a French artist whose work is most often associated with the Dadaist and Surrealist movements.

He is considered by some to be one of the most important artists of the 20th century, and his output influenced the development of post-World War I Western art. He advised modern art collectors, such as Peggy Guggenheim and other prominent figures, thereby helping to shape the tastes of Western art during this period.

Duchamp challenged conventional thought about artistic processes and art marketing, not so much by writing, but through subversive actions.

He famously dubbed a urinal art and named it Fountain, though in a 1917 letter to his sister Duchamp indicates that a female friend, possibly the Baroness Elsa von Freytag-Loringhoven, conceived of the urinal as sculpture and sent it to him under the pseudonym Richard Mutt. Duchamp produced relatively few artworks, while moving quickly through the avant-garde circles of his time.
  See all: Marcel Duchamp Prints  

Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


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Price: from $72.00

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Joseph M.W. Turner: View up the Alzette Valley – Luxembourg

Joseph M.W. Turner: View up the Alzette Valley – Luxembourg, with the Fortifications of the Rham Plateau 1839

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph M.W. Turner: The Rham Plateau and the Bock – Luxembourg

Joseph M.W. Turner: The Rham Plateau and the Bock – Luxembourg, from the North-East 1839

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph M.W. Turner: The Fighting Termeraire

Joseph M.W. Turner: The Fighting Termeraire tugged to her Last Berth to be broken up 1838

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph M.W. Turner: Sun Setting over a Lake

Joseph M.W. Turner: Sun Setting over a Lake 1840

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph M.W. Turner: Snow Storm – Steam Boat

Joseph M.W. Turner: Snow Storm – Steam Boat, off a Harbors Mouth 1842

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph M.W. Turner: Shore Scene with Waves and Breakwater

Joseph M.W. Turner: Shore Scene with Waves and Breakwater 1835

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph M.W. Turner: Seascape with a Sailing Boat and a Ship

Joseph M.W. Turner: Seascape with a Sailing Boat and a Ship 1825

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph M.W. Turner: Norham Castle – Sunrise 1845

Joseph M.W. Turner: Norham Castle – Sunrise 1845

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph M.W. Turner: Luxembourg from the Alzette Valley

Joseph M.W. Turner: Luxembourg from the Alzette Valley, to the North 1839

Joseph Mallord William Turner (May 14, 1775 – December 19, 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting.

He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art existing prior to recognition in the early twentieth century.

Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis, in Dorset he painted a stormy scene (now in the Cincinnati Art Museum).

Important support for his work came from Walter Ramsden Fawkes, of Farnley Hall, near Otley in Yorkshire, who became a close friend of the artist. Turner first visited Otley in 1797, aged 22, when commissioned to paint watercolours of the area. He was so attracted to Otley and the surrounding area that he returned to it throughout his career. The stormy backdrop of Hannibal Crossing The Alps is reputed to have been inspired by a storm over the Chevin in Otley while he was staying at Farnley Hall.


Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Price: $72.00

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Joseph Stella: Luna Park

Joseph Stella: Luna Park 1913

Joseph Stella (born Giuseppe Michele Stella, June 13, 1877 – November 5, 1946) was an Italian-born American Futurist painter best known for his depictions of industrial America, especially his images of the Brooklyn Bridge. He is also associated with the American Precisionist movement of the 1910s-1940s.

From 1905 to 1909, he worked as an illustrator, publishing his realist drawings in magazines. "He prowled the streets, sketch pad and pencil in hand, alert to catch the pose of the moment, the detail of costume or manner that told the story of a life." In 1908, he was commissioned for a series on industrial Pittsburgh, later published in The Pittsburgh Survey.

By 1911, he had departed Italy, where the omnipresence of the Renaissance presented its own kind of obstacle for contemporary painters, and relocated to Paris. When he arrived, "Fauvism, Cubism, and Futurism were in full swing," he wrote, and "[there] was in the air the glamor of a battle."It was the right place to be, at just the right time, for a man of Stella’s curiosity, openness to new trends, and ambition.

In Paris, Stella attended the salon of Gertrude Stein, where he met many other painters. "[Stein] found the big and boisterous painter rather like [her friend, the poet] Apollinaire; they both had a fund of sarcastic wit that was frequently turned on their hosts. "Stella’s view of his hostess was indeed sarcastic: she sat, he wrote, "enthroned on a sofa in the middle of the room," surrounded by her Cezannes and Picassos, "with the forceful solemnity of a pythoness or a sibyl … in a high and distant pose."

Having met Umberto Boccioni and befriended Gino Severini in Europe, he became associated with the Italian Futurists and began to incorporate Futurist principles into his art, though he was also interested in the structural experiments of the Cubists and the dynamic color of the Fauves. Returning to New York in 1913, he was prepared to give the United States a second try. It was a decision he did not regret.

  See all: Joseph Stella Prints  

Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


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Combination of product variants is not available

Price: from $72.00

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Joseph Stella: Futurist Composition

Joseph Stella: Futurist Composition 1914

Joseph Stella (born Giuseppe Michele Stella, June 13, 1877 – November 5, 1946) was an Italian-born American Futurist painter best known for his depictions of industrial America, especially his images of the Brooklyn Bridge. He is also associated with the American Precisionist movement of the 1910s-1940s.

From 1905 to 1909, he worked as an illustrator, publishing his realist drawings in magazines. "He prowled the streets, sketch pad and pencil in hand, alert to catch the pose of the moment, the detail of costume or manner that told the story of a life." In 1908, he was commissioned for a series on industrial Pittsburgh, later published in The Pittsburgh Survey.

By 1911, he had departed Italy, where the omnipresence of the Renaissance presented its own kind of obstacle for contemporary painters, and relocated to Paris. When he arrived, "Fauvism, Cubism, and Futurism were in full swing," he wrote, and "[there] was in the air the glamor of a battle."It was the right place to be, at just the right time, for a man of Stella’s curiosity, openness to new trends, and ambition.

In Paris, Stella attended the salon of Gertrude Stein, where he met many other painters. "[Stein] found the big and boisterous painter rather like [her friend, the poet] Apollinaire; they both had a fund of sarcastic wit that was frequently turned on their hosts. "Stella’s view of his hostess was indeed sarcastic: she sat, he wrote, "enthroned on a sofa in the middle of the room," surrounded by her Cezannes and Picassos, "with the forceful solemnity of a pythoness or a sibyl … in a high and distant pose."

Having met Umberto Boccioni and befriended Gino Severini in Europe, he became associated with the Italian Futurists and began to incorporate Futurist principles into his art, though he was also interested in the structural experiments of the Cubists and the dynamic color of the Fauves. Returning to New York in 1913, he was prepared to give the United States a second try. It was a decision he did not regret.

  See all: Joseph Stella Prints  

Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Product Options
Combination of product variants is not available

Price: from $72.00

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Andre Derain: Female Bathers

Andre Derain: Female Bathers 1908

Andre Derain (June 10, 1880 – September 8, 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse.

Derain was born in 1880 in Chatou, Yvelines, Ile-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cezannes, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Academie Camillo, he attended painting classes under Eugene Carriere, and there met Matisse.

In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain’s parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Academie Julian.

Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d’Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. Today, paintings by Derain sell for as much as $6 million. The London paintings were the subject of a major exhibition at the Courtauld Institute 2005-2006.

  See all: Andre Derain Prints  

Canvas/Size: 18″x24″ ($72) ~or~ 22"x28" ($95). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.


Product Options
Combination of product variants is not available

Price: from $72.00

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Joseph Stella: The Rose Bearer

Joseph Stella: The Rose Bearer 1913

Joseph Stella (born Giuseppe Michele Stella, June 13, 1877 – November 5, 1946) was an Italian-born American Futurist painter best known for his depictions of industrial America, especially his images of the Brooklyn Bridge. He is also associated with the American Precisionist movement of the 1910s-1940s.

From 1905 to 1909, he worked as an illustrator, publishing his realist drawings in magazines. "He prowled the streets, sketch pad and pencil in hand, alert to catch the pose of the moment, the detail of costume or manner that told the story of a life." In 1908, he was commissioned for a series on industrial Pittsburgh, later published in The Pittsburgh Survey.

By 1911, he had departed Italy, where the omnipresence of the Renaissance presented its own kind of obstacle for contemporary painters, and relocated to Paris. When he arrived, "Fauvism, Cubism, and Futurism were in full swing," he wrote, and "[there] was in the air the glamor of a battle."It was the right place to be, at just the right time, for a man of Stella’s curiosity, openness to new trends, and ambition.

In Paris, Stella attended the salon of Gertrude Stein, where he met many other painters. "[Stein] found the big and boisterous painter rather like [her friend, the poet] Apollinaire; they both had a fund of sarcastic wit that was frequently turned on their hosts. "Stella’s view of his hostess was indeed sarcastic: she sat, he wrote, "enthroned on a sofa in the middle of the room," surrounded by her Cezannes and Picassos, "with the forceful solemnity of a pythoness or a sibyl … in a high and distant pose."

Having met Umberto Boccioni and befriended Gino Severini in Europe, he became associated with the Italian Futurists and began to incorporate Futurist principles into his art, though he was also interested in the structural experiments of the Cubists and the dynamic color of the Fauves. Returning to New York in 1913, he was prepared to give the United States a second try. It was a decision he did not regret.

  See all: Joseph Stella Prints  

Canvas/Size: 18″x22″ ($68) ~or~ 22"x26" ($93). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



Product Options
Combination of product variants is not available

Price: from $68.00

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Claude Monet: Poplars at Giverny

Claude Monet: Poplars at Giverny 1887

Claude Monet (November 14, 1840 – December 5, 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein-air landscape painting.

The term Impressionism is derived from the title of his painting Impression – Sunrise 1872.

When Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would instead go and sit by a window and paint what he saw.

Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them was Edouard Manet.
  See all: Claude Monet Prints  

Canvas/Size: 18″x22″ ($68) ~or~ 22"x26" ($93). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



Product Options
Combination of product variants is not available

Price: from $68.00

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Claude Monet: Poplars at Giverny – Sunrise

Claude Monet: Poplars at Giverny – Sunrise 1888

Claude Monet (November 14, 1840 – December 5, 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein-air landscape painting.

The term Impressionism is derived from the title of his painting Impression – Sunrise 1872.

When Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would instead go and sit by a window and paint what he saw.

Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them was Edouard Manet.
  See all: Claude Monet Prints  

Canvas/Size: 18″x22″ ($68) ~or~ 22"x26" ($93). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



Product Options
Combination of product variants is not available

Price: from $68.00

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SALE – Prairie

Prairie

Art Prints in the Modern Contemporary style collection convey a more modern interior design look. Some use bold design ques, others have a more subtle design.

All implement geometry, lines and other designs. Bold colors are used for more contrast, while lighter and more earthy tones for a subtle look.










SALE – Only 1 item left at this Sale Price.


  See all: Sales  

Canvas/Size: 18″x18″ ($62). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



Old Price: $62.00

Price: $42.00

You save: $20.00

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SALE – Manierre Dawson: Meeting (The Three Graces)

Manierre Dawson: Meeting – The Three Graces 1912

Manierre Dawson (December 22, 1887; Chicago, Illinois – August 15, 1969; Sarasota, Florida) was a painter and sculptor born and raised in Chicago, Illinois, but lived most of his life in Michigan.

A precocious and ceaseless experimenter, Dawson independently developed stylistic and material innovations that rivaled his most progressive contemporaries.

Just as the impact of his civil engineering training is evident in his early work, the events of his life and his profession influenced his art later in his career. When he began to make a living from the land and started a family, fertility appears as the theme of some of his works.

Likewise, the long hours in his orchards, pruning, spraying, and harvesting resulted in compositions consisting of intertwining limbs. Conceived as sculptures but recorded as paintings in the late teens, some were later realized in three dimensions.

SALE – Only 1 item left at this Sale Price.


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  See all: Manierre Dawson Prints  

 

NOTE: All 17×22 sizes will be changed to 18"x22" ($68) with a larger 22"x26" ($93) added as well. If you purchase this 17×22, I can either print a 17×22 or new 18×22. If you would like the larger 22×26, email me, I’ll update this product to show both new sizes.

 


Canvas/Size: 17″ x 22″. Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

Old Price: $65.00

Price: $45.00

You save: $20.00

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SALE – Paul Klee: The Twittering Machine

Paul Klee: The Twittering Machine 1922

Paul Klee (December 18, 1879 – June 29, 1940) was born in Munchenbuchsee, Switzerland. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.

He was, as well, a student of orientalism. Klee was a natural draftsman who experimented with and eventually mastered color theory, and wrote extensively about it; his lectures Writings on Form and Design Theory, published in English as the Paul Klee Notebooks, are considered so important for modern art that they are compared to the importance that Leonardo da Vinci’s A Treatise on Painting had for Renaissance.

He and his colleague, the Russian painter Wassily Kandinsky, both taught at the German Bauhaus school of art, design and architecture. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.

Klee’s artistic breakthrough came in 1914 when he briefly visited Tunisia with August Macke and Louis Moilliet and was impressed by the quality of the light there. He wrote, "Color has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever… Color and I are one. I am a painter."

After returning home, Klee painted his first pure abstract, In the Style of Kairouan 1914, composed of colored rectangles and a few circles. The colored rectangle became his basic building block, what some scholars associate with a musical note, which Klee combined with other colored blocks to create a color harmony analogous to a musical composition. His selection of a particular color palette emulates a musical key. Sometimes he uses complementary pairs of colors, and other times "dissonant" colors, again reflecting his connection with musicality.


SALE – Only 1 item left at this Sale Price.


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  See all: Paul Klee Prints  

  In the Art Blog: Paul Klee: The Twittering Machine


Canvas/Size: 18″x26″ ($85). Giclee Print on Canvas. Epson Premium Canvas Satin – Fine art high resolution water resistant glossy satin canvas.

Stretcher Frame: This print is professionally stretched on a milled wood frame, corners glued. Print wraps around sides and staples in the back. Eyelets and wire installed. ~ ready to hang.

All Prints: Acrylic Polymer Gloss Medium Coating. This 100% archival aqueous based coating will not yellow, is nonflammable, and will not crack. Final print will be UV, minor scuff and dust protected.
Shipping: U.S.A. & Canada only at this time.

Color: Adjusted to be accurate to the original. Product image colors can shift on different monitors.



Old Price: $85.00

Price: $65.00

You save: $20.00

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